33/33
Perry was so impressed that he even helped develop the remix
Synopsis
In 1980s Indiana, a group of young friends witness supernatural forces and secret government exploits. As they search for answers, the kids uncover a series of extraordinary mysteries. Steve Perry, former lead singer of Journey, said that the Stranger Things season 4 remix of Journey’s 1980 hit “Separate Ways (Worlds Apart)” was done pretty much the way he originally wanted it back in the 1980s, but didn’t have the technology. During several episodes, people are seen “interrupting” someone talking on a two-way or CB radio — that is, one person is talking/transmitting, and another person transmits to interrupt them, and then the other person hears the interruption and stops transmitting. This was done a few times on the kids’ CB radios and on the radios used by police.
Eleven: Friends Don’t Lie
These radios — the CB and police radios of the show’s era — don’t work that way. If you’re streaming and someone else is streaming, you won’t hear them. The Stranger Things opening titles and fonts mimic the film grain and look of the 1980s TV series’ opening credits. Featured on FoundFlix: Stranger Things (2016) Ending Explained + Season 2 Clues (2016). Stranger Things (title sequence and end credits theme) Written and performed by Kyle Dixon and Michael Stein.
I won’t add to that
I think a lot of people have said a lot of things about all the movie and TV references this show has and how it recreates the eighties in all its flaws and splendor. With the release of season 2, I’d just like to warn you that the two seasons are very different animals. Think of it as the difference between the original Alien movie and the Aliens sequel: while the first season was more about an unknown, unseen horror and the mystery behind the backstory, the second season is more in-your-face action and horror mixed with character development arcs that seem cool but sometimes take the series a bit off track. Consequently, a fan of the series should probably watch the second season as a standalone work of fiction rather than a true continuation of the first season in tone and spirit. The writers move the story forward and we get a great piece of entertainment, but the new season has to be judged on its own merits.
Maybe the writers simply ran out of 80% templates to copy
EDIT: The third season ended up being a major shift in tone for the series. Maybe it’s too hard to maintain the mystery if so much of the “world” of Stranger Things has already given up so many of its secrets, but the overall “feel” of the series went in a different direction. Season 1 was very much inspired by supernatural horror like “Poltergeist.” Season 2 took a lot of cues from Creature Features like Gremlins or Aliens. Season 3 now uses elements of ’80s zombie movies and low-budget gore horror with a bit of spy comedy thrown in (and fight scenes that feel straight out of Die Hard). All of those genres didn’t mix well in the ’80s, and that strange cocktail certainly doesn’t work today.
That’s not to say Season 3 is bad
It simply relies on characters that were established in previous seasons that used very different ’80s story elements and tropes. It’s almost like seeing Darth Vader in an Indiana Jones movie. They both work on their own, but not together. Basically, Season 3 is a very transparent attempt to plow new nostalgia ground, but it doesn’t work in the context of the previous seasons. Whether they’re exploring the stars, escaping dystopias, or making the world a better place, these women are what science fiction is all about.
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